Source matchedReviewed 23 October 2026. Creator-linked ComicFury descriptions and exact-source machine leads supplement the retained sampled-frame observations. Typed project descriptions, title labels, machine speech and inspected images remain distinct evidence layers. No new human audio review; archive dates are labels, not independently established publication dates.
Drawing appears in several forms across the archive: serialized webcomics,
character-design experiments, timelapses, memory portraits, a painting tutorial
and live paper drawing. The examples below distinguish a project’s own description
from what a video title, machine transcript or inspected frame can establish.
Fictional characters and remembered portraits are not documentary records of the
people or events they may evoke.
Early webcomics: Hazel’s Planet of Ice and The Shop Lifter
The creator-linked ComicFury profile
leads to projects beyond Another Boring Night Shift. Hazel’s Planet of Ice is
listed as science fiction: its description introduces a space setting and an
investigation after a vessel crashes. The accompanying author note leaves
continuation uncertain after a break and says the drawing style has changed.
ComicFury displays 10 August 2016 as its last-update label; that is not a
creation date or evidence of a completed story.
The Shop Lifter has a different premise. Its profile labels it romance and
describes a fictional protagonist whose shoplifting ambitions escalate until
another person threatens to stop them. The page displays 4 August 2016 as
its last update. Its link to a YouTube presentation of pages 1–5 is retained in
the missing-media inventory;
the comic’s plot is not an account of real theft.
An earlier video, How to make money from webcomics on the internet!, carries
the filename date 28 October 2015. Its machine transcript names The
Shoplifter at 00:35.823–00:41.812, then introduces Hazel’s Planet of Ice
as an unfinished project after a break at 00:51.372–01:17.025. This locates
an earlier discussion of the two works, separate from the advertising-method
account covered under Work & Income.
Before the October drawing timelapse, the 26 September 2016-labelled
Hiding my insecurities -) provides a character-design lead. At
00:14.760–00:36.875, the machine transcript discusses Prisma and colour
filters. At 00:44.408–00:52.655, it describes designing characters and
considering a filter for a planned webcomic. The passage does not name that
comic, so its proximity to the night-shift video does not establish that they
are the same project.
In drawing timelapse on ipad pro, the 00:00:10 frame contains a rough
figure behind a counter; 00:00:42 and 00:01:21 show a more developed
dark-haired character beside a till. At 00:01:55, the coloured scene includes
the words “Another boring night shift…”. This gives the public video a visible
connection to the comic label already discussed in the
Patreon publication history,
without treating a fictional scene as proof of a real workplace incident.
How I feel when going to social events presents another drawing process.
At 00:00:07, there is a simple seated figure on white; 00:00:31 places
the figure under a hanging light. The later 00:01:00 and 00:01:25 frames
show a dark-haired figure with knees drawn up, a phone on the floor and small
conversing figures in the background. The personal interpretation belongs to
the title: the drawing is not a record of a particular gathering or evidence
of a diagnosis.
Not every entry on the ComicFury profile is a serialized comic. The page titled
External, at the Drawinginmyroom address, explicitly describes itself as an
artwork collection rather than a webcomic. Its displayed last-update label is
10 April 2017. It is a separate route to the artwork, not another name for
the YouTube channel or proof that every reference image was original.
The same creator profile describes My Introverted World as illustrations of
awkward moments in life and gives 14 March 2017 as its last-update label.
That stated focus distinguishes it from the longer fictional premises above;
it does not establish that any particular illustrated episode happened.
The 29 June 2019-labelled Drawing all my ex girlfriends from memory
introduces another format: drawing paired with personal recollection. Its opening
machine passage, 00:00.979–00:19.930, proposes drawing from memory without
photo references. The format is the point here; neither the title nor a drawing
establishes a subject’s identity, likeness or relationship history.
The 6 April 2020-labelled Drawing people I HATE from memory uses a similar
title formula. Its 00:00.737–00:11.681 machine introduction presents another
drawing video about people from the narrator’s past. The surrounding accounts
have their own source-specific treatment elsewhere, including the
petrol-station coworker article;
the recurrence of the drawing format does not corroborate those accounts.
The later How to Paint a Face with Acrylic Brushes shows a different kind of
art-process presentation. At 00:00:39, the image is a partially painted face
against white. At 00:02:42, it has reddish-brown hair; at 00:05:14, a
turquoise background and additional colour are visible. The 00:07:22 frame
adds tutorial-title text to the portrait. These selected stages support a
portrait-making format, not an identification of the subject, the source of any
reference image or a judgment about the artist’s skill.
July 2025-labelled livestream: paper-drawing leads
The torrent archive’s complete fail today, carrying the filename date
17 July 2025, adds a possible live, paper-and-pen format to the digital-art
examples above. At 06:09:15.866–06:12:51.710, its machine transcript moves
from proposing a drawing to finding a pen and printer paper, then describing
stick-figure armies and tanks. This is a source-attributed drawing-process lead,
not verification of the artwork’s appearance, the narrator’s identity or the
retrospective childhood account surrounding it.
Later passages describe an island inspired by Monkey Island, including a bay
and beach (06:24:19.151–06:26:26.085), followed by a pirate-ship drawing with
windows and railings (06:34:28.852–06:36:23.402). These candidate passages
make the stream useful for finding another creative format. References to games
and imagined scenery are not evidence of game development, commercial artwork
or a finished project.
A separately inspected frame at 06:35:00 shows the red-ink island drawing on
paper, with a hand at the edge of the sheet. It gives the paper-art discussion
visible context without verifying the transcript’s wording or the artist’s identity.
The paper drawing at 06:35:00 in complete fail today. The crop retains the artwork and desk context while excluding chat and financial overlays.Source: complete fail today — archived livestream · 06:35:00; 17 July 2025 is the filename dateOne limited editorial still illustrating the paper-art format discussed here. Third-party rights retained; no licence or ownership claimed. Upper-left 590 × 330 crop of an 854 × 480 frame, encoded as WebP with metadata removed; no resizing or generative alteration. AI visual sampling only, not human-reviewed imagery or speech.
The torrent archive’s undated MASSIVE NEWS returns to comic-making in a
retrospective discussion. Its machine transcript names Hazel’s Planet of Ice
at 04:28:12.266–04:28:22.622; at 04:29:31.449–04:31:49.626, it
discusses plotting difficulties, changing drawing styles and developing a cast
of characters. This adds a process-oriented recollection to the older project
descriptions, without supplying a date of abandonment or a verified explanation
for why any particular comic stopped.
